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“Irina Mikhailova is a singer from Kazakhstan whose voice as angelic as it is earthy, as sensual as it is serene. Although she's singing lyrics in her native tongue, Mikhailova, like Lisa Gerrard od Dead Can Dance uses her voice as an instrument, etwining it around an exotic pan-ethnic blend of percussion, sitars, balalaikas and wind instruments.
John Diliberto, Echoes, NPR

“Irina is a vocal acrobat with a strikingly gorgeous voice. Add on irrepressible charisma and an unstatiable appetite for cross-cultural experimentation and you have a compelling artist deserving of world-wide acclaim.”
Dore Stein, Tangents, KALW 91.7

”The exotic and haunting vocal style of Irina Mikhailova is the ladle that stirs this melting pot of cross cultural influences. Ancient sounds mix with contemporary beats to create an aural ambrosia that is intoxicating.”
Michael Diamond, SongPeddler

”Mikhailova is just as expressive a singer as Natasha Atlas”
Anna Maria Stjärnell, LunaKafe

”Born in Kazakhstan, Mikhailova is an enchantress who wails in a voice that fuses her Kazakh and Russian roots, with eastern European vocal styles and Middle Eastern effects. Sometimes singing in Bulgarian, her native Kazakh, or her own hybrid dialect, she creates the sound of ecstasy and lament, often simultaneously”
Amazon.com

“The final touch is provided by Khazakhstan native Irina Mikhailova. Her sinewy vocalizing (in an unidentified language) create a perfect hybrid of the Eastern European styles of the Bulgarian Women's Choir, and other exotic locales such as India, Morrocco, even east Asia. Throughout the whole disk, Mikhailova's voice threads in and out of the electronic/organic tapestry. I can't help but draw comparisons with the aforementioned Bulgarian Women, and with other world/electronic pioneers such as Dead Can Dance and even Adiemus.”
Allen Welty-Green, Ambient Visions

“Mikhailova's solo work is intense, beautiful and ultimately accessible.”
Lincoln Journal Star

“Irina brings powerful feminine presence and energy which greatly adds to the intensity and depth of her music.”
Monterey Herald

“A fine singer, trained in the St. Petersburg Conservatory of Music to be broadminded and willing to take risks.”
Dirty Linen/ Folk and World Music Magazine